Custom enamel products
for business projects.

We manufacture custom pins and badges, keychains, medals and charms for business projects. A pin is defined around wearing and attachment; a keychain around its body, connector and ring; a medal around its body, suspension and ribbon; and a charm around its interface and supplied form. The examples introduce these formats. Each enquiry needs its own artwork and construction review.

Begin with the intended use and what the recipient will receive. Consider whether the object will be worn, carried on keys, presented as an award, or supplied as a component for another accessory. Then define how it attaches and which parts are included. Those decisions identify the family more reliably than shape or colour alone.

No. The displayed designs are illustrative custom concepts, not stock products or customer case studies. They help describe a brief. Your artwork, size direction, construction, fittings and presentation are reviewed for the project; a reference image is not a confirmed production specification.

Yes. The supplied scope can distinguish the enamel body, a selected fitting, assembly and presentation. State which parts you require and who will assemble the final accessory. The hanging hole, connector and adjoining item must be considered together so that a quotation describes the intended delivery rather than an assumed complete product.

They are process choices within product families. Soft enamel typically retains recessed colour between raised metal divisions; hard enamel is polished to a smooth, flush surface. The artwork, intended appearance, structure and finish must be reviewed together. Choosing a surface does not by itself define the complete pin, medal, keychain or charm.

Our own factory carries out tooling and metal forming, colouring, polishing, plating, assembly, inspection and packing. The route and checks are defined around the selected product and finish. Factory images currently labelled as AI-generated are illustrations of the manufacturing scope; they are not documentary photographs of our premises.

Yes, a project can develop a shared visual identity across several product families. Each format still needs its own artwork and construction review. A mark that works on a medal may need adjustment for a small pin, and a charm's hanging interface differs from a pin's reverse. Record the design version, supplied scope and quantity separately for each format.

List quantities by product, design and version. State whether each quantity refers to individual pieces or complete sets; for a set, also list the items included. Keep fittings, assembly and packing requirements alongside each line. This prevents a total project quantity from hiding different versions or different supply requirements.

Use a common colour reference, but review it against each product's surface, metal finish and sample. The size of a colour area, adjacent metal and viewing conditions can affect its appearance. Record the accepted reference and any product-specific decisions so later reviews do not rely only on photographs or screen colours.

Include the required families, artwork or concept, intended use, size direction, quantity per design or version, and supplied scope. Identify fittings and presentation, the target arrival timing and destination. You can start with an incomplete brief, but mark unresolved points clearly so they can be reviewed before the production scope and schedule are agreed.