Enamel pin manufacturer
for custom business projects.

Yes. The examples are concept starting points, not stock pins. Send your artwork, intended use and size direction, and identify the details that must remain visible. We review the shape, colour areas, metal divisions and reverse requirements around your brief. The pictured configuration is not a promise that any artwork can be transferred unchanged.

A company logo pin usually centres on consistent identity and wearing orientation. A recognition series adds changing levels, wording or colours within a shared visual system. For recognition, list the fixed elements, changes, quantities and presentation for every version. These distinctions affect artwork review and project organisation, even when the pins look closely related.

Compare the intended surface with the artwork. Soft enamel has recessed colour with raised metal divisions; hard enamel has a smooth, flush polished surface. Review fine lettering, small colour areas and the proposed metal finish at the intended size. The comparison on this page illustrates the surface decision; the complete production route is agreed for the specific design.

Review the artwork at the proposed finished size, rather than judging only an enlarged screen image. Small letters, narrow spaces and gradual colour transitions may need simplification or a different artwork treatment. We identify the details to preserve and discuss changes before the design is confirmed. A gradient is not assumed to be reproducible by ordinary separated enamel colour fields.

They can share an outline and visual identity, while the level wording, colours or other elements vary. Shared appearance does not automatically mean shared tooling or equal quotation items. List each change explicitly so tooling, artwork, colour versions and presentation can be reviewed. Keep quantities and sample comments tied to the correct level.

Provide the outline, intended wearing direction, attachment use and the material it will be attached to where relevant. Post placement, the chosen fitting and assembly scope should be reviewed together. The reverse view helps check orientation and the relationship to the front. A fitting shown in a concept is an illustration, not a universal configuration for every pin.

List the designs included in each set, pieces required per design and the number of complete sets. Supply the card artwork or presentation brief and clarify whether loose pieces are also required. Review the pin positions with the card layout, then separate presentation requirements from transit protection. The complete packed set needs review as well as each pin.

Use separate lines for designs and versions, including different recognition levels or colour arrangements where applicable. Identify the quantity unit, fittings, assembly, presentation and packing scope for each line. Tooling and sample arrangements also need to be defined in the quotation discussion. A combined project total is not enough to describe all these requirements.

Check artwork clarity, colour areas, metal edges and the intended surface against the agreed reference. Review the reverse orientation, post positions and fitting, then the backing card or complete set if supplied. For recognition or campaign versions, check the correct wording and version identity. Record comments against a specific design and revision so changes can be traced.

Share the event or programme date and the required arrival date, destination, quantities per version and current artwork status. Include sample review and packing requirements. These inputs allow the specification, sample arrangements and production scope to be considered together before a schedule is agreed. The page does not promise a fixed turnaround or rush availability.